00:00:00,970 --> 00:00:04,480 We watch films here to learn something about 00:00:04,480 --> 00:00:04,490 We watch films here to learn something about 00:00:04,490 --> 00:00:07,119 We watch films here to learn something about television today, to 00:00:07,119 --> 00:00:07,129 television today, to 00:00:07,129 --> 00:00:09,130 television today, to watch television and to make television. 00:00:09,130 --> 00:00:09,140 watch television and to make television. 00:00:09,140 --> 00:00:11,800 watch television and to make television. We become aware of a few filmic 00:00:11,800 --> 00:00:11,810 We become aware of a few filmic 00:00:11,810 --> 00:00:14,950 We become aware of a few filmic processes and we consider what 00:00:14,950 --> 00:00:14,960 processes and we consider what 00:00:14,960 --> 00:00:32,370 processes and we consider what follows from a few chemical processes. 00:00:32,370 --> 00:00:32,380 00:00:32,380 --> 00:00:35,710 Documentary films used to be another 00:00:35,710 --> 00:00:35,720 Documentary films used to be another 00:00:35,720 --> 00:00:39,190 Documentary films used to be another word for documentary, travel film, if 00:00:39,190 --> 00:00:39,200 word for documentary, travel film, if 00:00:39,200 --> 00:00:41,350 word for documentary, travel film, if you have one When you travel a long distance, 00:00:41,350 --> 00:00:41,360 you have one When you travel a long distance, 00:00:41,360 --> 00:00:47,440 you have one When you travel a long distance, every picture you bring with you is valuable 00:00:47,440 --> 00:00:47,450 00:00:47,450 --> 00:00:57,560 [Music] 00:00:57,560 --> 00:00:57,570 00:00:57,570 --> 00:01:12,740 [Music] 00:01:12,740 --> 00:01:12,750 00:01:12,750 --> 00:01:16,350 Strange beaches Strange people Plants Animals 00:01:16,350 --> 00:01:16,360 Strange beaches Strange people Plants Animals 00:01:16,360 --> 00:01:20,700 Strange beaches Strange people Plants Animals Buildings Films of people whose 00:01:20,700 --> 00:01:20,710 Buildings Films of people whose 00:01:20,710 --> 00:01:23,250 Buildings Films of people whose movements have mysterious senses 00:01:23,250 --> 00:01:23,260 movements have mysterious senses 00:01:23,260 --> 00:01:28,640 movements have mysterious senses 00:01:28,640 --> 00:01:28,650 00:01:28,650 --> 00:01:34,370 [Applause] 00:01:34,370 --> 00:01:34,380 00:01:34,380 --> 00:01:50,120 [Music] 00:01:50,120 --> 00:01:50,130 00:01:50,130 --> 00:02:02,990 [Music] 00:02:02,990 --> 00:02:03,000 [Music] 00:02:03,000 --> 00:02:05,730 [Music] The movements of these strange people 00:02:05,730 --> 00:02:05,740 The movements of these strange people 00:02:05,740 --> 00:02:08,400 The movements of these strange people are expressive because they come from a 00:02:08,400 --> 00:02:08,410 are expressive because they come from a 00:02:08,410 --> 00:02:10,350 are expressive because they come from a traditional religious culture 00:02:10,350 --> 00:02:10,360 traditional religious culture 00:02:10,360 --> 00:02:15,370 traditional religious culture 00:02:15,370 --> 00:02:15,380 00:02:15,380 --> 00:02:19,070 [music] 00:02:19,070 --> 00:02:19,080 [music] 00:02:19,080 --> 00:02:21,620 [music] [applause] 00:02:21,620 --> 00:02:21,630 [applause] 00:02:21,630 --> 00:02:38,220 [applause] [music] 00:02:38,220 --> 00:02:38,230 00:02:38,230 --> 00:02:41,320 the religious culture also creates a 00:02:41,320 --> 00:02:41,330 the religious culture also creates a 00:02:41,330 --> 00:02:43,059 the religious culture also creates a connection between people and the landscape 00:02:43,059 --> 00:02:43,069 connection between people and the landscape 00:02:43,069 --> 00:02:43,710 connection between people and the landscape 00:02:43,710 --> 00:02:43,720 00:02:43,720 --> 00:02:45,580 connects the movements of people 00:02:45,580 --> 00:02:45,590 connects the movements of people 00:02:45,590 --> 00:02:50,880 connects the movements of people with nature 00:02:50,880 --> 00:02:50,890 00:02:50,890 --> 00:02:53,340 and when living and working in the 00:02:53,340 --> 00:02:53,350 and when living and working in the 00:02:53,350 --> 00:02:55,780 and when living and working in the village community the movements of 00:02:55,780 --> 00:02:55,790 village community the movements of 00:02:55,790 --> 00:03:05,200 village community the movements of people are related to one another related 00:03:05,200 --> 00:03:05,210 00:03:05,210 --> 00:03:06,670 [music] 00:03:06,670 --> 00:03:06,680 [music] 00:03:06,680 --> 00:03:09,450 [music] [applause] 00:03:09,450 --> 00:03:09,460 [applause] 00:03:09,460 --> 00:03:23,020 [applause] [music] 00:03:23,020 --> 00:03:23,030 00:03:23,030 --> 00:03:41,550 [music] 00:03:41,550 --> 00:03:41,560 00:03:41,560 --> 00:03:48,050 I'm well on board at the moment 00:03:48,050 --> 00:03:48,060 00:03:48,060 --> 00:03:56,570 [music] 00:03:56,570 --> 00:03:56,580 [music] 00:03:56,580 --> 00:03:58,890 [music] the relationships between people 00:03:58,890 --> 00:03:58,900 the relationships between people 00:03:58,900 --> 00:04:01,200 the relationships between people are visible because they happen in the 00:04:01,200 --> 00:04:01,210 are visible because they happen in the 00:04:01,210 --> 00:04:03,000 are visible because they happen in the community of one word and 00:04:03,000 --> 00:04:03,010 community of one word and 00:04:03,010 --> 00:04:05,010 community of one word and not, like with us, in an 00:04:05,010 --> 00:04:05,020 not, like with us, in an 00:04:05,020 --> 00:04:07,890 not, like with us, in an unmissable society and the 00:04:07,890 --> 00:04:07,900 unmissable society and the 00:04:07,900 --> 00:04:09,780 unmissable society and the Camera highlights the relationships 00:04:09,780 --> 00:04:09,790 Camera highlights the relationships 00:04:09,790 --> 00:04:11,550 Camera highlights the relationships by recording the gestures of the people, 00:04:11,550 --> 00:04:11,560 by recording the gestures of the people, 00:04:11,560 --> 00:04:14,610 by recording the gestures of the people, the bodies and limbs more than 00:04:14,610 --> 00:04:14,620 the bodies and limbs more than 00:04:14,620 --> 00:04:17,580 the bodies and limbs more than the faces, and the montage puts the 00:04:17,580 --> 00:04:17,590 the faces, and the montage puts the 00:04:17,590 --> 00:04:19,650 the faces, and the montage puts the movements of the individuals together into a 00:04:19,650 --> 00:04:19,660 movements of the individuals together into a 00:04:19,660 --> 00:04:27,660 movements of the individuals together into a coherent sequence 00:04:27,660 --> 00:04:27,670 00:04:27,670 --> 00:04:39,320 [Music] 00:04:39,320 --> 00:04:39,330 [Music] 00:04:39,330 --> 00:04:41,620 [Music] Hans Klok 00:04:41,620 --> 00:04:41,630 Hans Klok 00:04:41,630 --> 00:05:04,770 Hans Klok [Music] 00:05:04,770 --> 00:05:04,780 [Music] 00:05:04,780 --> 00:05:08,080 [Music] documentary travel film the images from 00:05:08,080 --> 00:05:08,090 documentary travel film the images from 00:05:08,090 --> 00:05:10,420 documentary travel film the images from abroad show us Something that we 00:05:10,420 --> 00:05:10,430 abroad show us Something that we 00:05:10,430 --> 00:05:12,909 abroad show us Something that we don't have but that we 00:05:12,909 --> 00:05:12,919 don't have but that we 00:05:12,919 --> 00:05:16,360 don't have but that we can imagine, for example a community in 00:05:16,360 --> 00:05:16,370 can imagine, for example a community in 00:05:16,370 --> 00:05:17,290 can imagine, for example a community in which the movements of people 00:05:17,290 --> 00:05:17,300 which the movements of people 00:05:17,300 --> 00:05:19,830 which the movements of people are related to one another. 00:05:19,830 --> 00:05:19,840 are related to one another. 00:05:19,840 --> 00:05:23,140 are related to one another. Here you can see unedited photos 00:05:23,140 --> 00:05:23,150 Here you can see unedited photos 00:05:23,150 --> 00:05:27,040 Here you can see unedited photos that Eisenstein took in Mexico in 1930. He 00:05:27,040 --> 00:05:27,050 that Eisenstein took in Mexico in 1930. He 00:05:27,050 --> 00:05:29,350 that Eisenstein took in Mexico in 1930. He had a girl make movements in order to 00:05:29,350 --> 00:05:31,150 had a girl make movements in order to 00:05:31,150 --> 00:05:31,160 00:05:31,160 --> 00:05:58,629 capture the image of an original movement 00:05:58,629 --> 00:05:58,639 00:05:58,639 --> 00:06:01,059 with one mirror he shined light on the 00:06:01,059 --> 00:06:01,069 with one mirror he shined light on the 00:06:01,069 --> 00:06:02,730 with one mirror he shined light on the girl's face 00:06:02,730 --> 00:06:02,740 girl's face 00:06:02,740 --> 00:06:05,320 girl's face Eisenstein found foreign images in Mexico 00:06:05,320 --> 00:06:05,330 Eisenstein found foreign images in Mexico 00:06:05,330 --> 00:07:02,430 Eisenstein found foreign images in Mexico and cultivated them for our eyes 00:07:02,430 --> 00:07:02,440 00:07:02,440 --> 00:07:05,400 the film song on Ceylon is divided into chapters 00:07:05,400 --> 00:07:05,410 the film song on Ceylon is divided into chapters 00:07:05,410 --> 00:07:08,670 the film song on Ceylon is divided into chapters the structure says we are 00:07:08,670 --> 00:07:08,680 the structure says we are 00:07:08,680 --> 00:07:10,110 the structure says we are not giving a representation of the 00:07:10,110 --> 00:07:10,120 not giving a representation of the 00:07:10,120 --> 00:07:12,480 not giving a representation of the whole thing here we are talking about two three things 00:07:12,480 --> 00:07:12,490 whole thing here we are talking about two three things 00:07:12,490 --> 00:07:15,470 whole thing here we are talking about two three things that we Know 00:07:15,470 --> 00:07:15,480 that we Know 00:07:15,480 --> 00:07:17,700 that we Know what you can remember for 00:07:17,700 --> 00:07:17,710 what you can remember for 00:07:17,710 --> 00:07:19,950 what you can remember for work today instead of a cursory 00:07:19,950 --> 00:07:19,960 work today instead of a cursory 00:07:19,960 --> 00:07:22,230 work today instead of a cursory view of the whole thing, it's better to show a few 00:07:22,230 --> 00:07:22,240 view of the whole thing, it's better to show a few 00:07:22,240 --> 00:07:25,410 view of the whole thing, it's better to show a few details in detail and if you show a few 00:07:25,410 --> 00:07:25,420 details in detail and if you show a few 00:07:25,420 --> 00:07:27,690 details in detail and if you show a few details in detail, maybe you 00:07:27,690 --> 00:07:27,700 details in detail, maybe you 00:07:27,700 --> 00:07:29,430 details in detail, maybe you 'll get an idea of ​​the 00:07:29,430 --> 00:07:29,440 'll get an idea of ​​the 00:07:29,440 --> 00:07:30,440 'll get an idea of ​​the whole thing. 00:07:30,440 --> 00:07:30,450 whole thing. 00:07:30,450 --> 00:07:32,730 whole thing. I'll just give a few details 00:07:32,730 --> 00:07:32,740 I'll just give a few details 00:07:32,740 --> 00:07:38,540 I'll just give a few details about the film song ceylon teach 00:07:38,540 --> 00:07:38,550 00:07:38,550 --> 00:07:40,740 these numbers also indicate the 00:07:40,740 --> 00:07:40,750 these numbers also indicate the 00:07:40,750 --> 00:07:43,320 these numbers also indicate the verses of the song that this film is 00:07:43,320 --> 00:07:43,330 verses of the song that this film is 00:07:43,330 --> 00:07:47,160 verses of the song that this film is a music made of images this music is 00:07:47,160 --> 00:07:47,170 a music made of images this music is 00:07:47,170 --> 00:07:48,750 a music made of images this music is also composed of very different images 00:07:48,750 --> 00:07:48,760 also composed of very different images 00:07:48,760 --> 00:07:52,170 also composed of very different images at the beginning when it 00:07:52,170 --> 00:07:52,180 at the beginning when it 00:07:52,180 --> 00:07:54,390 at the beginning when it is told about the old religion there are 00:07:54,390 --> 00:07:54,400 is told about the old religion there are 00:07:54,400 --> 00:07:55,860 is told about the old religion there are images as if from a studio or 00:07:55,860 --> 00:07:55,870 images as if from a studio or 00:07:55,870 --> 00:07:58,770 images as if from a studio or greenhouse in superimpositions to 00:07:58,770 --> 00:07:58,780 greenhouse in superimpositions to 00:07:58,780 --> 00:08:04,930 greenhouse in superimpositions to create something artificial 00:08:04,930 --> 00:08:04,940 00:08:04,940 --> 00:08:21,980 [Music] 00:08:21,980 --> 00:08:21,990 00:08:21,990 --> 00:08:33,400 [Music] 00:08:33,400 --> 00:08:33,410 00:08:33,410 --> 00:08:35,960 The 00:08:35,960 --> 00:08:35,970 The 00:08:35,970 --> 00:08:38,330 The pictures that describe the current 00:08:38,330 --> 00:08:38,340 pictures that describe the current 00:08:38,340 --> 00:08:40,790 pictures that describe the current Buddhist religion have a completely different character in 00:08:40,790 --> 00:08:40,800 Buddhist religion have a completely different character in 00:08:40,800 --> 00:08:42,200 Buddhist religion have a completely different character in these pictures that the real 00:08:42,200 --> 00:08:42,210 these pictures that the real 00:08:42,210 --> 00:08:44,690 these pictures that the real process from which they are taken can still be 00:08:44,690 --> 00:08:44,700 process from which they are taken can still be 00:08:44,700 --> 00:09:08,020 process from which they are taken can still be seen 00:09:08,020 --> 00:09:08,030 00:09:08,030 --> 00:09:17,350 the boys a gentleman Julia 00:09:17,350 --> 00:09:17,360 00:09:17,360 --> 00:09:18,890 Weinheimer 00:09:18,890 --> 00:09:18,900 Weinheimer 00:09:18,900 --> 00:09:22,270 Weinheimer only 00:09:22,270 --> 00:09:22,280 00:09:22,280 --> 00:09:24,500 as a pilgrim resting on a bench 00:09:24,500 --> 00:09:24,510 as a pilgrim resting on a bench 00:09:24,510 --> 00:09:27,530 as a pilgrim resting on a bench Set is what is presented in 00:09:27,530 --> 00:09:27,540 Set is what is presented in 00:09:27,540 --> 00:09:29,770 Set is what is presented in a very high cinematic narrative, 00:09:29,770 --> 00:09:29,780 a very high cinematic narrative, 00:09:29,780 --> 00:09:31,550 a very high cinematic narrative, recorded from two camera 00:09:31,550 --> 00:09:31,560 recorded from two camera 00:09:31,560 --> 00:09:33,890 recorded from two camera points of view and put together into a brittle 00:09:33,890 --> 00:09:33,900 points of view and put together into a brittle 00:09:33,900 --> 00:09:37,070 points of view and put together into a brittle narrative, something that 00:09:37,070 --> 00:09:37,080 narrative, something that 00:09:37,080 --> 00:09:38,810 narrative, something that happened and which was adapted to with the 00:09:38,810 --> 00:09:38,820 happened and which was adapted to with the 00:09:38,820 --> 00:09:41,260 happened and which was adapted to with the recording devices 00:09:41,260 --> 00:09:41,270 recording devices 00:09:41,270 --> 00:10:09,770 recording devices [music] 00:10:09,770 --> 00:10:09,780 [music] 00:10:09,780 --> 00:10:12,810 [music] completely different from the man who steps onto the veranda 00:10:12,810 --> 00:10:12,820 completely different from the man who steps onto the veranda 00:10:12,820 --> 00:10:15,510 completely different from the man who steps onto the veranda to the children dancing practice he 00:10:15,510 --> 00:10:15,520 to the children dancing practice he 00:10:15,520 --> 00:10:17,430 to the children dancing practice he appears the way the 00:10:17,430 --> 00:10:17,440 appears the way the 00:10:17,440 --> 00:10:20,220 appears the way the equipment was used for the film recording the 00:10:20,220 --> 00:10:20,230 equipment was used for the film recording the 00:10:20,230 --> 00:10:21,990 equipment was used for the film recording the film narrative is completely closed 00:10:21,990 --> 00:10:22,000 film narrative is completely closed 00:10:22,000 --> 00:10:51,379 film narrative is completely closed a production 00:10:51,379 --> 00:10:51,389 00:10:51,389 --> 00:10:53,480 holds 00:10:53,480 --> 00:10:53,490 holds 00:10:53,490 --> 00:11:26,030 holds this world 00:11:26,030 --> 00:11:26,040 00:11:26,040 --> 00:11:28,860 and then there is the bird which is 00:11:28,860 --> 00:11:28,870 and then there is the bird which is 00:11:28,870 --> 00:11:31,379 and then there is the bird which is made up of several birds which 00:11:31,379 --> 00:11:31,389 made up of several birds which 00:11:31,389 --> 00:11:33,980 made up of several birds which belongs to a stone Buddha 00:11:33,980 --> 00:11:33,990 belongs to a stone Buddha 00:11:33,990 --> 00:11:39,430 belongs to a stone Buddha [music] 00:11:39,430 --> 00:11:39,440 [music] 00:11:39,440 --> 00:11:44,600 [music] [applause] 00:11:44,600 --> 00:11:44,610 00:11:44,610 --> 00:12:00,410 [Applause] 00:12:00,410 --> 00:12:00,420 00:12:00,420 --> 00:12:04,290 the soul flies up in a children's book 00:12:04,290 --> 00:12:04,300 the soul flies up in a children's book 00:12:04,300 --> 00:12:06,030 the soul flies up in a children's book I say once a drawing of a 00:12:06,030 --> 00:12:06,040 I say once a drawing of a 00:12:06,040 --> 00:12:08,249 I say once a drawing of a girl who died at the end of the book 00:12:08,249 --> 00:12:08,259 girl who died at the end of the book 00:12:08,259 --> 00:12:10,230 girl who died at the end of the book and her soul figuratively flew up from her mouth 00:12:10,230 --> 00:12:10,240 and her soul figuratively flew up from her mouth 00:12:10,240 --> 00:12:12,329 and her soul figuratively flew up from her mouth as a dove to comfort the children 00:12:12,329 --> 00:12:12,339 as a dove to comfort the children 00:12:12,339 --> 00:12:23,270 as a dove to comfort the children 00:12:23,270 --> 00:12:23,280 00:12:23,280 --> 00:12:28,790 [Music] [Music] 00:12:28,790 --> 00:12:28,800 00:12:28,800 --> 00:12:54,280 00:12:54,280 --> 00:12:54,290 00:12:54,290 --> 00:12:55,660 [Music]. 00:12:55,660 --> 00:12:55,670 [Music]. 00:12:55,670 --> 00:13:10,200 [Music]. 00:13:10,200 --> 00:13:10,210 00:13:10,210 --> 00:13:12,820 and there is a sequence of happy 00:13:12,820 --> 00:13:12,830 and there is a sequence of happy 00:13:12,830 --> 00:13:14,590 and there is a sequence of happy events that a man 00:13:14,590 --> 00:13:14,600 events that a man 00:13:14,600 --> 00:13:17,620 events that a man tells others in the evening, or rather that 00:13:17,620 --> 00:13:17,630 tells others in the evening, or rather that 00:13:17,630 --> 00:13:19,540 tells others in the evening, or rather that one can imagine that they 00:13:19,540 --> 00:13:19,550 one can imagine that they 00:13:19,550 --> 00:13:42,910 one can imagine that they are from the story of a man in the evening 00:13:42,910 --> 00:13:42,920 00:13:42,920 --> 00:14:10,310 [music] 00:14:10,310 --> 00:14:10,320 [music] 00:14:10,320 --> 00:14:10,570 [music] [applause] 00:14:10,570 --> 00:14:10,580 [applause] 00:14:10,580 --> 00:14:20,780 [applause] [music] 00:14:20,780 --> 00:14:20,790 [music] 00:14:20,790 --> 00:14:23,780 [music] a film like a song a film that music 00:14:23,780 --> 00:14:23,790 a film like a song a film that music 00:14:23,790 --> 00:14:26,220 a film like a song a film that music pictures summarized into short topics 00:14:26,220 --> 00:14:26,230 pictures summarized into short topics 00:14:26,230 --> 00:14:29,010 pictures summarized into short topics the topics crystals that arise for a 00:14:29,010 --> 00:14:29,020 the topics crystals that arise for a 00:14:29,020 --> 00:14:30,570 the topics crystals that arise for a moment and 00:14:30,570 --> 00:14:30,580 moment and 00:14:30,580 --> 00:14:33,180 moment and disintegrate again in order to make music out of the pictures 00:14:33,180 --> 00:14:33,190 disintegrate again in order to make music out of the pictures 00:14:33,190 --> 00:14:37,820 disintegrate again in order to make music out of the pictures there are the crossfades 00:14:37,820 --> 00:14:37,830 00:14:37,830 --> 00:14:39,540 crossfades equalize the pictures to 00:14:39,540 --> 00:14:39,550 crossfades equalize the pictures to 00:14:39,550 --> 00:14:41,520 crossfades equalize the pictures to each other make them supple 00:14:41,520 --> 00:14:41,530 each other make them supple 00:14:41,530 --> 00:14:43,830 each other make them supple allow things that are apart 00:14:43,830 --> 00:14:43,840 allow things that are apart 00:14:43,840 --> 00:14:54,480 allow things that are apart to be brought together 00:14:54,480 --> 00:14:54,490 00:14:54,490 --> 00:15:12,370 but then it was home in the world 00:15:12,370 --> 00:15:12,380 00:15:12,380 --> 00:15:21,590 [applause] 00:15:21,590 --> 00:15:21,600 00:15:21,600 --> 00:15:24,569 and there is the music itself which 00:15:24,569 --> 00:15:24,579 and there is the music itself which 00:15:24,579 --> 00:15:27,360 and there is the music itself which accompanies the images like a commentary. This 00:15:27,360 --> 00:15:27,370 accompanies the images like a commentary. This 00:15:27,370 --> 00:15:29,069 accompanies the images like a commentary. This music is, by the way, European 00:15:29,069 --> 00:15:29,079 music is, by the way, European 00:15:29,079 --> 00:15:31,439 music is, by the way, European composed music with a few lines of 00:15:31,439 --> 00:15:31,449 composed music with a few lines of 00:15:31,449 --> 00:15:33,290 composed music with a few lines of isms in the sound. 00:15:33,290 --> 00:15:33,300 isms in the sound. 00:15:33,300 --> 00:15:35,370 isms in the sound. This music is rarely 00:15:35,370 --> 00:15:35,380 This music is rarely 00:15:35,380 --> 00:15:37,769 This music is rarely used as onomatopoeically as here, as a 00:15:37,769 --> 00:15:37,779 used as onomatopoeically as here, as a 00:15:37,779 --> 00:15:48,540 used as onomatopoeically as here, as a noise 00:15:48,540 --> 00:15:48,550 00:15:48,550 --> 00:15:55,579 [music] 00:15:55,579 --> 00:15:55,589 00:15:55,589 --> 00:15:58,110 usually is They are there to 00:15:58,110 --> 00:15:58,120 usually is They are there to 00:15:58,120 --> 00:16:00,360 usually is They are there to characterize a basic mood the 00:16:00,360 --> 00:16:00,370 characterize a basic mood the 00:16:00,370 --> 00:16:10,780 characterize a basic mood the right film music 00:16:10,780 --> 00:16:10,790 00:16:10,790 --> 00:17:00,610 [music] 00:17:00,610 --> 00:17:00,620 00:17:00,620 --> 00:17:03,590 when this film song was shot on the iPhone there 00:17:03,590 --> 00:17:03,600 when this film song was shot on the iPhone there 00:17:03,600 --> 00:17:05,720 when this film song was shot on the iPhone there was already a genre of 00:17:05,720 --> 00:17:05,730 was already a genre of 00:17:05,730 --> 00:17:08,510 was already a genre of films in song music and symphony form 00:17:08,510 --> 00:17:08,520 films in song music and symphony form 00:17:08,520 --> 00:17:11,419 films in song music and symphony form these films like music stood in 00:17:11,419 --> 00:17:11,429 these films like music stood in 00:17:11,429 --> 00:17:13,750 these films like music stood in opposition to the common films because 00:17:13,750 --> 00:17:13,760 opposition to the common films because 00:17:13,760 --> 00:17:15,649 opposition to the common films because immediately afterwards The thing with the 00:17:15,649 --> 00:17:15,659 immediately afterwards The thing with the 00:17:15,659 --> 00:17:17,899 immediately afterwards The thing with the moving pictures was invented, it was 00:17:17,899 --> 00:17:17,909 moving pictures was invented, it was 00:17:17,909 --> 00:17:20,360 moving pictures was invented, it was so far that literature and journalism 00:17:20,360 --> 00:17:20,370 so far that literature and journalism 00:17:20,370 --> 00:17:23,270 so far that literature and journalism determined the films, the films, the music that 00:17:23,270 --> 00:17:23,280 determined the films, the films, the music that 00:17:23,280 --> 00:17:25,549 determined the films, the films, the music that existed in the 20s came from the 00:17:25,549 --> 00:17:25,559 existed in the 20s came from the 00:17:25,559 --> 00:17:27,169 existed in the 20s came from the impulse to treat the images according to their own laws, to 00:17:27,169 --> 00:17:27,179 impulse to treat the images according to their own laws, to 00:17:27,179 --> 00:17:29,750 impulse to treat the images according to their own laws, to make films 00:17:29,750 --> 00:17:29,760 make films 00:17:29,760 --> 00:17:32,810 make films without having to worry about the plot or idea 00:17:32,810 --> 00:17:32,820 without having to worry about the plot or idea 00:17:32,820 --> 00:17:35,510 without having to worry about the plot or idea orient the images to 00:17:35,510 --> 00:17:35,520 orient the images to 00:17:35,520 --> 00:17:41,740 orient the images to bring them together according to their own laws 00:17:41,740 --> 00:17:41,750 00:17:41,750 --> 00:17:44,960 the most striking visual moment is the 00:17:44,960 --> 00:17:44,970 the most striking visual moment is the 00:17:44,970 --> 00:17:47,930 the most striking visual moment is the movement the movement determines the value 00:17:47,930 --> 00:17:47,940 movement the movement determines the value 00:17:47,940 --> 00:19:06,330 movement the movement determines the value of the images 00:19:06,330 --> 00:19:06,340 00:19:06,340 --> 00:19:08,370 the search for moving images then 00:19:08,370 --> 00:19:08,380 the search for moving images then 00:19:08,380 --> 00:19:10,549 the search for moving images then led the filmmakers to the big city 00:19:10,549 --> 00:19:10,559 led the filmmakers to the big city 00:19:10,559 --> 00:19:13,169 led the filmmakers to the big city where there is traffic and 00:19:13,169 --> 00:19:13,179 where there is traffic and 00:19:13,179 --> 00:19:15,419 where there is traffic and machine rhythm there is an idea 00:19:15,419 --> 00:19:15,429 machine rhythm there is an idea 00:19:15,429 --> 00:19:17,850 machine rhythm there is an idea of ​​cinematic film The music didn't 00:19:17,850 --> 00:19:17,860 of ​​cinematic film The music didn't 00:19:17,860 --> 00:19:20,930 of ​​cinematic film The music didn't stay entirely fresh. 00:19:20,930 --> 00:19:20,940 00:19:20,940 --> 00:19:24,000 Films soon began to look for 00:19:24,000 --> 00:19:24,010 Films soon began to look for 00:19:24,010 --> 00:19:25,919 Films soon began to look for subjects to demonstrate their means. 00:19:25,919 --> 00:19:25,929 subjects to demonstrate their means. 00:19:25,929 --> 00:19:28,320 subjects to demonstrate their means. The big city as a pretext for 00:19:28,320 --> 00:19:28,330 The big city as a pretext for 00:19:28,330 --> 00:19:30,899 The big city as a pretext for a quick montage and a trivial 00:19:30,899 --> 00:19:30,909 a quick montage and a trivial 00:19:30,909 --> 00:19:33,269 a quick montage and a trivial philosophical idea as a pretext for a 00:19:33,269 --> 00:19:33,279 philosophical idea as a pretext for a 00:19:33,279 --> 00:20:08,980 philosophical idea as a pretext for a montage of ideas. 00:20:08,980 --> 00:20:08,990 00:20:08,990 --> 00:20:11,560 Wowereit also does this in his song on 00:20:11,560 --> 00:20:11,570 Wowereit also does this in his song on 00:20:11,570 --> 00:20:14,350 Wowereit also does this in his song on Ceylon a montaged 00:20:14,350 --> 00:20:14,360 Ceylon a montaged 00:20:14,360 --> 00:20:15,500 Ceylon a montaged idea 00:20:15,500 --> 00:20:15,510 idea 00:20:15,510 --> 00:20:30,529 idea [music] 00:20:30,529 --> 00:20:30,539 00:20:30,539 --> 00:20:32,600 and television documentaries 00:20:32,600 --> 00:20:32,610 and television documentaries 00:20:32,610 --> 00:20:35,190 and television documentaries we still find these ideas montage 00:20:35,190 --> 00:20:35,200 we still find these ideas montage 00:20:35,200 --> 00:20:38,460 we still find these ideas montage today half an idea is usually enough to 00:20:38,460 --> 00:20:38,470 today half an idea is usually enough to 00:20:38,470 --> 00:20:42,139 today half an idea is usually enough to deliver a cinematic effect 00:20:42,139 --> 00:20:42,149 deliver a cinematic effect 00:20:42,149 --> 00:20:44,700 deliver a cinematic effect and the movement montage has been 00:20:44,700 --> 00:20:44,710 and the movement montage has been 00:20:44,710 --> 00:20:47,070 and the movement montage has been preserved as inserts of traffic crowds of 00:20:47,070 --> 00:20:47,080 preserved as inserts of traffic crowds of 00:20:47,080 --> 00:20:49,139 preserved as inserts of traffic crowds of passers-by machines because the 00:20:49,139 --> 00:20:49,149 passers-by machines because the 00:20:49,149 --> 00:20:51,600 passers-by machines because the television program 00:20:51,600 --> 00:20:51,610 television program 00:20:51,610 --> 00:20:54,749 television program wants to be briefly filmic in between jason wright has 00:20:54,749 --> 00:20:54,759 wants to be briefly filmic in between jason wright has 00:20:54,759 --> 00:20:56,850 wants to be briefly filmic in between jason wright has The effects that his method 00:20:56,850 --> 00:20:56,860 The effects that his method 00:20:56,860 --> 00:20:59,220 The effects that his method offers failed. He did not 00:20:59,220 --> 00:20:59,230 offers failed. He did not 00:20:59,230 --> 00:21:01,200 offers failed. He did not record the spectacular movements 00:21:01,200 --> 00:21:01,210 record the spectacular movements 00:21:01,210 --> 00:21:03,629 record the spectacular movements but rather the small ones that one only 00:21:03,629 --> 00:21:03,639 but rather the small ones that one only 00:21:03,639 --> 00:21:07,250 but rather the small ones that one only experiences through patient observation 00:21:07,250 --> 00:21:07,260 experiences through patient observation 00:21:07,260 --> 00:21:29,330 experiences through patient observation [Music] 00:21:29,330 --> 00:21:29,340 00:21:29,340 --> 00:21:56,999 [Music] 00:21:56,999 --> 00:21:57,009 00:21:57,009 --> 00:22:00,580 He tried to find the melody in the material and 00:22:00,580 --> 00:22:00,590 He tried to find the melody in the material and 00:22:00,590 --> 00:22:03,940 He tried to find the melody in the material and not the other way around to make the material 00:22:03,940 --> 00:22:03,950 not the other way around to make the material 00:22:03,950 --> 00:22:06,629 not the other way around to make the material dance to music 00:22:06,629 --> 00:22:06,639 dance to music 00:22:06,639 --> 00:22:09,580 dance to music There is the song of sale on a sequence 00:22:09,580 --> 00:22:09,590 There is the song of sale on a sequence 00:22:09,590 --> 00:22:12,900 There is the song of sale on a sequence where one sits by the water and talks 00:22:12,900 --> 00:22:12,910 where one sits by the water and talks 00:22:12,910 --> 00:22:19,999 where one sits by the water and talks [music] 00:22:19,999 --> 00:22:20,009 00:22:20,009 --> 00:22:23,190 a second stands in the water and fishes 00:22:23,190 --> 00:22:23,200 a second stands in the water and fishes 00:22:23,200 --> 00:22:26,960 a second stands in the water and fishes takes and throws something 00:22:26,960 --> 00:22:26,970 00:22:26,970 --> 00:22:33,860 [music] 00:22:33,860 --> 00:22:33,870 00:22:33,870 --> 00:22:37,440 and a third catches something but only for 00:22:37,440 --> 00:22:37,450 and a third catches something but only for 00:22:37,450 --> 00:22:38,940 and a third catches something but only for a moment it looks as if 00:22:38,940 --> 00:22:38,950 a moment it looks as if 00:22:38,950 --> 00:22:42,240 a moment it looks as if he is Catching something right away we see 00:22:42,240 --> 00:22:42,250 he is Catching something right away we see 00:22:42,250 --> 00:22:44,610 he is Catching something right away we see he makes a movement that comes from the west, 00:22:44,610 --> 00:22:55,789 he makes a movement that comes from the west, 00:22:55,789 --> 00:22:55,799 00:22:55,799 --> 00:22:59,369 which expresses the communication between their activities, 00:22:59,369 --> 00:23:01,680 which expresses the communication between their activities, 00:23:01,680 --> 00:23:01,690 00:23:01,690 --> 00:23:09,270 even if they are spatially separated 00:23:09,270 --> 00:23:09,280 00:23:09,280 --> 00:23:31,940 [music] 00:23:31,940 --> 00:23:31,950 00:23:31,950 --> 00:23:35,970 In this picture, both what the 00:23:35,970 --> 00:23:35,980 In this picture, both what the 00:23:35,980 --> 00:23:39,210 In this picture, both what the man is doing is there, namely hitting the laundry and what 00:23:39,210 --> 00:23:39,220 man is doing is there, namely hitting the laundry and what 00:23:39,220 --> 00:23:41,340 man is doing is there, namely hitting the laundry and what that means namely, 00:23:41,340 --> 00:23:41,350 that means namely, 00:23:41,350 --> 00:23:43,250 that means namely, not to be separated from the others at work, 00:23:43,250 --> 00:23:43,260 not to be separated from the others at work, 00:23:43,260 --> 00:23:45,930 not to be separated from the others at work, an idea that was not only 00:23:45,930 --> 00:23:45,940 an idea that was not only 00:23:45,940 --> 00:23:48,480 an idea that was not only constructed into the material, but an 00:23:48,480 --> 00:23:48,490 constructed into the material, but an 00:23:48,490 --> 00:23:51,110 constructed into the material, but an idea that material was found, 00:23:51,110 --> 00:23:51,120 idea that material was found, 00:23:51,120 --> 00:23:53,150 idea that material was found, not defective 00:23:53,150 --> 00:23:53,160 not defective 00:23:53,160 --> 00:23:56,990 not defective narratives that correspond to the matter, 00:23:56,990 --> 00:23:57,000 narratives that correspond to the matter, 00:23:57,000 --> 00:23:59,850 narratives that correspond to the matter, the images of the past look so 00:23:59,850 --> 00:23:59,860 the images of the past look so 00:23:59,860 --> 00:24:01,770 the images of the past look so synthetic, they are a 00:24:01,770 --> 00:24:01,780 synthetic, they are a 00:24:01,780 --> 00:24:05,810 synthetic, they are a reconstruction 00:24:05,810 --> 00:24:05,820 00:24:05,820 --> 00:24:16,050 [music] 00:24:16,050 --> 00:24:16,060 00:24:16,060 --> 00:24:22,800 [Music] 00:24:22,800 --> 00:24:22,810 00:24:22,810 --> 00:24:34,350 [Music] 00:24:34,350 --> 00:24:34,360 00:24:34,360 --> 00:24:37,180 the mountains of the present look more real 00:24:37,180 --> 00:24:37,190 the mountains of the present look more real 00:24:37,190 --> 00:24:45,210 the mountains of the present look more real they are taken out of view 00:24:45,210 --> 00:24:45,220 00:24:45,220 --> 00:24:49,620 in the mission of Adams 00:24:49,620 --> 00:24:49,630 in the mission of Adams 00:24:49,630 --> 00:24:52,170 in the mission of Adams this sharp lead ball 00:24:52,170 --> 00:24:52,180 this sharp lead ball 00:24:52,180 --> 00:24:56,640 this sharp lead ball 108 last 00:24:56,640 --> 00:24:56,650 00:24:56,650 --> 00:25:02,190 sprint title 00:25:02,190 --> 00:25:02,200 00:25:02,200 --> 00:25:04,800 so far could territories 00:25:04,800 --> 00:25:04,810 so far could territories 00:25:04,810 --> 00:25:07,660 so far could territories duty impression in julie 00:25:07,660 --> 00:25:07,670 duty impression in julie 00:25:07,670 --> 00:25:09,570 duty impression in julie julia with 00:25:09,570 --> 00:25:09,580 julia with 00:25:09,580 --> 00:25:14,460 julia with the draw was tannheim 00:25:14,460 --> 00:25:14,470 the draw was tannheim 00:25:14,470 --> 00:25:17,640 the draw was tannheim [music] 00:25:17,640 --> 00:25:17,650 00:25:17,650 --> 00:25:21,520 in the chapter survivors of commerce the 00:25:21,520 --> 00:25:21,530 in the chapter survivors of commerce the 00:25:21,530 --> 00:25:23,950 in the chapter survivors of commerce the voices of commerce, the images 00:25:23,950 --> 00:25:23,960 voices of commerce, the images 00:25:23,960 --> 00:25:25,180 voices of commerce, the images and the sounds stand next to and 00:25:25,180 --> 00:25:25,190 and the sounds stand next to and 00:25:25,190 --> 00:25:26,020 and the sounds stand next to and against each other 00:25:26,020 --> 00:25:26,030 against each other 00:25:26,030 --> 00:25:28,780 against each other there are noises in the air that the 00:25:28,780 --> 00:25:28,790 there are noises in the air that the 00:25:28,790 --> 00:25:44,360 there are noises in the air that the workers cannot hear 00:25:44,360 --> 00:25:44,370 00:25:44,370 --> 00:26:02,290 [Music] 00:26:02,290 --> 00:26:02,300 00:26:02,300 --> 00:26:06,480 maria kauling dollar 00:26:06,480 --> 00:26:06,490 00:26:06,490 --> 00:26:09,640 there are the images of work that is 00:26:09,640 --> 00:26:09,650 there are the images of work that is 00:26:09,650 --> 00:26:11,290 there are the images of work that is done under the sign of the old culture 00:26:11,290 --> 00:26:11,300 done under the sign of the old culture 00:26:11,300 --> 00:26:25,760 done under the sign of the old culture 00:26:25,760 --> 00:26:25,770 00:26:25,770 --> 00:26:32,850 [ Music] 00:26:32,850 --> 00:26:32,860 [ Music] 00:26:32,860 --> 00:26:35,560 [ Music] work that is perhaps already done like in a 00:26:35,560 --> 00:26:35,570 work that is perhaps already done like in a 00:26:35,570 --> 00:27:05,520 work that is perhaps already done like in a factory in the open air 00:27:05,520 --> 00:27:05,530 00:27:05,530 --> 00:27:09,500 and there is work in factories 00:27:09,500 --> 00:27:09,510 and there is work in factories 00:27:09,510 --> 00:27:20,799 and there is work in factories [Music] 00:27:20,799 --> 00:27:20,809 00:27:20,809 --> 00:27:23,270 these different types of work 00:27:23,270 --> 00:27:23,280 these different types of work 00:27:23,280 --> 00:27:25,370 these different types of work stand next to each other to show the 00:27:25,370 --> 00:27:25,380 stand next to each other to show the 00:27:25,380 --> 00:27:27,919 stand next to each other to show the simultaneous and unconnected 00:27:27,919 --> 00:27:27,929 simultaneous and unconnected 00:27:27,929 --> 00:27:30,080 simultaneous and unconnected different working relationships in 00:27:30,080 --> 00:27:30,090 different working relationships in 00:27:30,090 --> 00:27:32,140 different working relationships in lines, 00:27:32,140 --> 00:27:32,150 lines, 00:27:32,150 --> 00:27:34,610 lines, but there is a limit to the 00:27:34,610 --> 00:27:34,620 but there is a limit to the 00:27:34,620 --> 00:27:37,730 but there is a limit to the cinematic Method You can't tell from the work 00:27:37,730 --> 00:27:37,740 cinematic Method You can't tell from the work 00:27:37,740 --> 00:27:40,220 cinematic Method You can't tell from the work whether its aim and 00:27:40,220 --> 00:27:40,230 whether its aim and 00:27:40,230 --> 00:27:42,080 whether its aim and speed is specified by the commercial 00:27:42,080 --> 00:27:42,090 speed is specified by the commercial 00:27:42,090 --> 00:27:45,380 speed is specified by the commercial director. You can't 00:27:45,380 --> 00:27:45,390 director. You can't 00:27:45,390 --> 00:27:47,960 director. You can't tell the difference between commercial work and the work of the 00:27:47,960 --> 00:27:47,970 tell the difference between commercial work and the work of the 00:27:47,970 --> 00:28:45,220 tell the difference between commercial work and the work of the village community 00:28:45,220 --> 00:28:45,230 00:28:45,230 --> 00:28:47,570 just by looking at it 00:28:47,570 --> 00:28:50,120 just by looking at it 00:28:50,120 --> 00:28:50,130 00:28:50,130 --> 00:28:54,560 It doesn't 00:28:54,560 --> 00:28:54,570 It doesn't 00:28:54,570 --> 00:28:58,250 It doesn't just say what it is and it doesn't just say what it 00:28:58,250 --> 00:28:58,260 just say what it is and it doesn't just say what it 00:28:58,260 --> 00:29:01,549 just say what it is and it doesn't just say what it stands for. A picture that you can see 00:29:01,549 --> 00:29:01,559 stands for. A picture that you can see 00:29:01,559 --> 00:29:05,120 stands for. A picture that you can see where it was taken from and what it's 00:29:05,120 --> 00:29:05,130 where it was taken from and what it's 00:29:05,130 --> 00:29:06,730 where it was taken from and what it's there for now. There is 00:29:06,730 --> 00:29:06,740 there for now. There is 00:29:06,740 --> 00:29:23,410 there for now. There is no final word. A final picture. That was 00:29:23,410 --> 00:29:23,420 00:29:23,420 --> 00:29:32,729 a home on the average 00:29:32,729 --> 00:29:32,739 00:29:32,739 --> 00:29:41,190 end. 00:29:41,190 --> 00:29:41,200 00:29:41,200 --> 00:29:46,169 It was a home on the average